On Walking: 16th October

We’re walking over Bramshill, up the long steepness before you reach the top. The ground is hard and greasy, clay-red, strewn with skinny black slugs the quarter length of my finger. It’s not quite eight, and foggy, and the dogs circle close to me, checking I’m still on the path they expect.

I am not on the path that I expect. I seem to keep climbing up a slimy bank and sliding back, over and over, again and again.

I read a blog last night, by Antonia Honeywell, the writer of ‘The Ship’. She wrote about failure, of difficult second books, and she said, ‘And I looked at my narrowing life and wondered what I’d done to it.’ That line has sat on my mind all night, it was the last thing I thought about in the dark, and the first thing I remembered when I got out of bed.

I feel that way, too. An awful narrowing of once-wide horizons. So many people have re-tweeted Antonia’s blog, that it must be a common thing, this hemming in, this reduction. We wonder if we’ve caused it ourselves, somehow stymied our own potential. Built our own walls.

I know Antonia has four children, and I have two; two beautiful, silky teenagers, who scrape clean the inside of my head with a spoon. We all have some version of this – the job, the family, the dogs – when does it all conspire to constrict, and suffocate?

I realise I’m angry as I slog up the hill, and I stop when I reach the top, the gap in the hedge. The roll of the valley is hidden in the fog. Either side of me, the blackthorn is darkly wet.

I am angry with myself. The narrowness is in my mind, something I’ve created as an excuse for not writing the best I can. The opportunities are there, but I haven’t been seeing them, I’ve been fussing instead, about too much money-work, grubby house, un-done homework. Those things have always been there, always will be there, but I can choose to change things. I can tell people no, sorry, can’t help, I’m writing, I’m making stories and reading books and I’m pushing at the walls I thought were there and are not.

I didn’t realise they were not, until I read Antonia’s blog.

Ahead are the bulky shadows of ash trees. In my heart is starting a thud of determination, and I push back my hood, look around me in the fog. I touch my finger to a drop of rain caught on the blackthorn. Then another, and another.

I don’t need to get up that bank to join that path. I can follow the path I’m already on. I don’t need to see it to know the direction it goes in, I just need to follow it, one step after the other, knowing that it will take me the way I need to go.

I whistle the dogs, yoddle their silly nicknames into the fog, then start to walk.

Antonia’s blog is here: http://www.antoniahoneywell.com/when-is-the-right-time-to-write-about-failure/

 

 

On Walking: 27th September

I’m trespassing, along the margins of a crop that last week was barely more than seedlings. It’s stubble turnips, for sheep, and now the leaves curl like tongues above the bridge of my boot.

I like this field, it has lemon-yellow toadflax in it and a small neat peachy flower called (fabulously) scarlet pimpernel. There’s a wide swag of wildness across the top, and we’re walking beneath it, looking up at blonde grasses taller than me. The hogwart skeletons are laced and beautiful against the blue of the sky. Today is the sort of day that refills my happiness banks, far quicker than they can ever be depleted. Which is a good job, because earlier, I heard back from an agent who had my book, and it was a no. A nice no.

When an agent turns you down, it’s a relief, meaning I can be disappointed and get it over with. It’s the anticipation of the disappointment that’s so horrid – the bit where you peer over the edge of the balloon, and imagine the fall.

But recently, I’ve learnt something from my teenage daughters, the way they are with ponies and their dream of having one for their own. They fall passionately in hope, then once the pony’s proved unsuitable (too loopy, too small, too much money), they’re quiet for a bit, then out comes Horse and Hound or Pony Mag, and they start looking for the next one.

Their determination is rock-solid, they’ve saved every penny from baby-sitting and dog-walking and lizard-wrangling. Their complete faith that it will happen, that they’ll find their pony, makes my heart afraid for them. Their budget is so small, their dreams are so big. But they’re so inspiring, and the reason why I’ll be re-writing my synopsis and intro letter. Why I’ll start trawling agent websites and blogs and Twitter hashtags.

According to my daughters, there’s always another chance for  hope.

Re-filling the banks of happiness.

On Walking

We’re the first of the walkers up into wood, I can tell by the single gossamer-light cobweb lines that catch my face. The hawthorns are heavy with deeply red berries, and they’ve bent to make a tunnel that meets just above my bare head. The early-morning sun lights the ash and goat willows in white-gold patches, and I have to steady myself, or else I’d run skipping like a loon, to dance in the richness.

Yeats wrote that ‘too long a sacrifice, makes a stone of the heart’. Jilly Cooper had one of her characters say the line when he’d waited for a woman he’d loved, and I’ve been thinking it these past few weeks, waiting, waiting to hear back from agents about The Badly Born.  Part of me whispers let it go, let it be still-born, like the others. The other part of me is defiant, and thinks good: be a stone. Stones endure. Stones hold down balloons of hope.

The agents have had my book for seven weeks, now, and with every passing day, I tried to make myself more stone-like, more weighted against lift-off and the possibility of a fall.

Last night, though, I had an email from one of them, telling me I was yet to be read, but would be soon, and I lay in bed, clutching my phone, recognising how utterly I’d failed in the stone stakes. I’ve no defences at all, no weight for that slippery, silvery bubble of hope. I can feel it rising despite all of the times I’ve trusted it and we’ve been so high, and I’ve fallen. Falling hurts so damned much.

What makes us do this? In love, or work, or art, or whatever it is that terrifies and fascinates us. To reach for something we’ve such little chances of touching. How much more content must people be, that can control their hope.

I’ve walked almost the length of the woods unseeing. I’m breathless with an exhilaration I know must not be trusted. I call in the bigger dogs, then let them go again. Dora stays beside me, shooting me suspicious, disapproving looks. She’s checking I’m still beside her, not spriting around in the tree tops.

Oh, that hope. It’s glimmering in the sky above my head, the dappled earth is falling away beneath my feet. Dora’s barking at something but I can’t look round, can’t look down.

Steady, I think. Steady. Just hang on, and don’t let go.

On Walking 21st August

There’s a deer running parallel to me, about twenty feet away, beyond the thick green of the covert. I can’t see it, but it leaps with a swished rhythm through the rattle of sprayed-off beans.

The dogs give chase, momentarily foxed by the sheep-netting. As one, they remember the stile, and squash each other to get over, get through. The deer’s long gone.

I walk on, thinking about the new story I want to write, trying not to think about the one that’s finished, that’s sat on its hands in an agent’s office, waiting to be read. I should’ve written here before, explained where I’d gone, but somehow I couldn’t. Sorry. I don’t mean to treat my readers badly, it’s just sometimes, I just can’t write aloud, only in private.

Anyway, we’re in Spring Field, where redshank sprawls intestine-like on the baked August ground. Small dark butterflies spring from my footsteps through the barley stubble, and everywhere are little alder cones, the sort to crumble in between finger and thumb. There are honeysuckle berries by gate, clustered together as bright as glass.

The dogs come back without me calling, and circle, pretending to catch scents, but really, watching me. They can feel the restlessness in my bones, the sense that I might burst into movement, run, take off and fly, swoop low over the valley, then up into the white-blue until I’m just a spec. The dinner-giver, a tiny, far-off comet.

We pass beneath an ash, its arms dropping beneath the weight of its keys. Down by the Sor Brook, the hawthorns are smeared with a gore of berries, as are the elders. Darker gore. Plates of purple-black fruit that are gritty between your teeth and tongue.

I felt like this at the fag-end of my first pregnancy, when you feel like a sausage, about to split. Or a pea-pod, or a microwaved egg, or a grain of corn in a hot, buttery pan. Pop. There’s change coming that is final and absolute, the end of one state of being, and the beginning of another.

The dogs don’t trust this unquiet me. They’re suspicious of my terrible energy, my sudden decisions to trespass new, untrodden paths, to take them where they’ve not been before, and had never planned on going. They’re confused at my abrupt stops to check my email, pressing refresh, refresh, refresh, or dredging Twitter, as if the answers I need are in there, if I could only find them. It’s as pointless as reading my stars, yet I still do, every week in Style, from the Sunday Times, seeing what luck will befall a Cancerian, whether this time, this time, it’s all going to work out okay.

I stop at the gate by the road, call the dogs closer. The story in my head is getting more insistent that I listen, and I fumble the leads. Pop, I tell them. Stand still. Pop.

Spring Field with barley in July.JPG
Spring Field with its barley, July.

 

 

 

On Walking: 20th February 2018

We’re in the ash meadow, and I’m dawdling, because I don’t want to go home, face all those things that must be done. The pastry for the quiche, the emails, the copy, the filthy dog towels, the answerphone, the fridge drawer with the mouldering sweet potatoes. I want none of it, not yet. I want this, this delicious scrap-of-blue-sky afternoon. I want to bite it.

I can feel Spring in my feet, in my knees. It makes my thighs ache and my belly tighten, and I feel I could run up that hill, leap that stream, swing upside down in a naked ash. The dogs feel it too, Pants looping and dipping in his circles, Dora leaping tussocks of reeds and last summers’ grass.

There’s a real reason I don’t want to go home. One of my books is out on submission (to an agent, not a publisher), and I can no longer bear the itch of waiting. I pick up my phone a thousand times a day, press refresh, refresh, each time hoping, and now I’ve become so restless and distracted that I can’t stand being indoors. I can’t stand having 4G either, which is why I’m here, in the ash meadow, out of service, watching buzzards wheel in the thermals above the Scout woods.

After a while, I walk on, admiring how the catkins are changing colour, lengthening. For weeks, they’ve been stumpy, tan-boot red, crooked like fat little fingers. Now they’re turning ochre through to sulpher yellow, stretching, vertebrae-like, wriggling with delight in the breeze. The dogs are unimpressed by my slowness, and start chasing each other in circles, perilously close to my knees. I shout at them and hurl a rotten baton of oak into the field of stuff that looks like vetch but isn’t.

Having a book on submission is worse than waiting for a lover to text, and you do stupid things, like go wild at parties, miss work deadlines, or not write to a dear friend (I’m sorry, I’m sorry) because you’ve decided that to do so would be a jinx. This weekend, at a bar, someone asked me what I did for a living, and I said I was a secretary, because I couldn’t bear to say I was a writer, then I realised I have no idea what a modern secretary actually does, so I said it was all a bit secret. I actually said, ‘hush-hush’.

Now, I close my eyes, hope that when I open them again, I’ll have stopped shuddering at my own idiocy. We’ve reached the gate to Wroxton Lane, and I catch the dogs, marshal them into order. I’ve got to go home – of course I have. But I go through the kissing gate, and turn to rest my arms on the metal bars. I look back at the awakening roll of the fields, the clean blue sky with its raggedy chasing clouds.

Please write, or ring, agent-with-my-book. I feel like a kite with a fraying string.

On Walking: Monday 2nd January

It’s just past nine and the dogs and I are slipping and sliding down the Banbury Road. We were just whizzing round the cricket, five minutes at most, but the beauty of the morning has untethered us, sent us spinning off down the valley beneath the drying barn. The dogs are bonkers with excitement; pulling like kites on their leads.

The air is so cold, and I take great gulps of it; I swoop down the hill, an unwieldy mummy-bird in my thick anorak and blue-and-pink bobble hat. The ground is stone-hard beneath my borrowed snake-skin wellies, and I’m reckless with my ankles, stumbling half-jogging, greedy to see and feel and be amongst the crystal gorgeousness that can’t be described, only lived.

We reach the bridge between the fields, still thickly silver despite the sun. The treachery of the bridge demands Empress-steps, and I pause, finally, when I reach the other side.

These are the fields that once held wheat, or rape; they are now farmed by someone else, and the change had filled me with dread. Idiot me. The tenants put the field to grass, for sheep, but today it’s empty of sheep. Instead, I see hundreds of starlings, almost a whole field of them,  bobbing and dipping in the wide bars of silvered shadows. I watch them, they seem so unafraid of me, of Pants wheeling his endless circles.

I stand in the pale gold of the sun, hearing the flit of the birds, seeing the new curves of the field. The frost on the grass nearest to me has melted to glass baubles, hung on the very tip of each grass blade, utterly perfect.

I walk on, carefully at first, but soon at a march. I want to see Emma’s Meadow, the Old Mill field, the ravages in the poplar wood. I want to see how frozen the path is to Drayton, how high the Sor Brook runs after yesterday’s day-long rain. I want to think about the scene I’m writing later, about my new book and my future and my family and all we’re going to achieve this year.

At home are jobs waiting to be done; meals to cook, ironing, paperwork, Christmas to put away. But the dogs and I are on Back Lane now, and there are puddles, thickly frozen, iced white. My borrowed wellies demand pay, and I jump, hop and smash-crack my way through the ice. Pants barks and tries to snatch at muddied shards, Dora disappears beneath a hedge, thinking we’re both mad.

We reach the last pot-hole in a chain, the deepest, and I jump with both feet, splashing freezing mud up behind my knees, inside my thighs. The shock makes me gasp, incredulous – I’ve forgotten how cold a puddle can be, how little it matters compared to the joy of snapping the ice.

We reach the poplar spinney, and I should go right, across the fields towards home, but instead I choose left, on to the old railway. The place of twisted blackthorn and broken ash trees. The place of divots and hollows, of the most fantastic, uncracked puddles.

I jump again and again, shouting at the cold, barking back at Pants, smashing and cracking and splashing, hooting with happiness.

Happy New Year to you, Reader. May 2017 bring you health, peace, and silly moments of pure joy.

Dora and The Pants

 

On Walking: Thursday 8th September

It’s a deeply golden morning, the sun diffused through the softest wisps of cloud. A breeze is ruffling the heads of the willows in the village, turning their leaves now green, now silver-white.

The dogs and I are walking down Banbury lane, beneath trees at their most thickly green. Pants is flinching and dancing on his lead: above our heads , two squirrels are in carnival mood, chasing each other from branch to branch, from oak to ash, flitting along impossible paths. The tarmac of the road is dappled by sunlight. The dapples slide over my arms, my shoulders, briefly warm my hair. The air smells of wood smoke and change.

The stems of the nettles are blackening, the leaves fading to yellow round the edges. There’s a sprawling blackthorn beside the oak, heavy with unripe sloes. They’re a smudged purple, yet to darken, and make me think of gin and stickiness and good times.

We reach the little brick bridge over the Sor, and we turn right, beneath the spreading arms of the oak. I bend to free the dogs from their leads – they’re off, squirrel-induced rockets – and then step through into the field-below-the-dryer. I can feel the heat of the field on my bare knees, earth that’s had its stubble raked, its underside turned uppermost.  New people are to farm the land, and the thought unsettles me. I know these fields so deeply, their rhythms, how the rain collects and flows, the muddy bits, the dry bits, where the elderberries grow. I’m afraid they might change.

This has been a hard year. Frustrating, full of unrelenting pressure and the sense that dreams should be grown out of and put away. Cowardice has stopped me writing, that and a sour sort of laziness, a self indulgent sulk with the world. I’ve martyred myself to housework and money-work, mopping and cooking and typing, producing immaculate accounts in bright folders, baking cakes and ironing shirts, all the while dying inside.

September has always been my time for new starts, new pencils, and these last few days I’ve found myself again, in amongst the crumpled beach towels and empty sun creams. Failure doesn’t seem to hurt as much now, my pride isn’t quite so flatly squished.

I stand beneath the oak, looking out at the field. The new farmers haven’t marked the footpath yet, the field is untrodden. Its hedges are newly-shorn, the margin reduced by half. It’s the same but different; there’s a faint tension, a hum in the air that vanishes when you try to listen.

The field is waiting, like me, to see what’s going to happen.

Field=-Below-The-Dryer, before harvestFor Paul Rogers. In gratitude.